Open doorway with sunlight falling across a wooden floor and walls beyond

What Is A Studio, Really?

Do you need an art studio in order to paint regularly? Perhaps the better question is: what makes a space support your return to the work?

what draws you to a scene: FEATURE IMAGE Gail Sibley, Marking Time, Unison Colour pastels on UART 400, 18 x 12 in - Detail

What Draws You to a Scene? This Is What Pulled Me In.

Sometimes it’s not the whole scene that makes you want to paint — it’s one gesture, one shadow shape, one small visual surprise. Here’s what drew me to this scene and how that shaped the painting.

Art Scam Emails: When Your Heart Leaps

An email arrives. Someone loves your work. Your heart leaps. But not all enquiries are created equal. In this Studio Musing, I unpack a scam message and explore how to tell the difference between flattery and genuine interest.

Gail Sibley, Beach Conversation, Sennelier pastels on Pastelmat, 9 1:/2 x 7 in-detail

Painting Figures In Conversation – Quiet Moments From The Beach

While painting in La Manzanilla, Mexico, I noticed a quiet thread running through three small pieces — pairs of people together, talking, waiting, simply being. These beach conversations became an exploration of connection, restraint, and the power of suggesting just enough.

Art Scam Emails: When Your Heart Leaps

An email arrives. Someone loves your work. Your heart leaps. But not all enquiries are created equal. In this Studio Musing, I unpack a scam message and explore how to tell the difference between flattery and genuine interest.

You want to paint. You mean to paint. And yet somehow you still do not get into the studio. So what’s really going on?

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Open doorway with sunlight falling across a wooden floor and walls beyond

What Is A Studio, Really?

Do you need an art studio in order to paint regularly? Perhaps the better question is: what makes a space support your return to the work?

what draws you to a scene: FEATURE IMAGE Gail Sibley, Marking Time, Unison Colour pastels on UART 400, 18 x 12 in - Detail

What Draws You to a Scene? This Is What Pulled Me In.

Sometimes it’s not the whole scene that makes you want to paint — it’s one gesture, one shadow shape, one small visual surprise. Here’s what drew me to this scene and how that shaped the painting.

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While painting in La Manzanilla, Mexico, I noticed a quiet thread running through three small pieces — pairs of people together, talking, waiting, simply being. These beach conversations became an exploration of connection, restraint, and the power of suggesting just enough.

Leaving Home To Get The Work Done

Leaving Home to Get the Work Done

What I thought would be a plein air painting trip turned into something quite different. Away from home, with fewer distractions and quieter demands, I found myself finally getting to the work I’d been wanting to do for a long time.

Creative Pause feature image sixteen-miles-out-GuWy7FSPLd8-unsplash - photo of tea cup, flowers and notebook

A Creative Pause at the Start of the Year

There’s a particular kind of pressure that shows up at the start of a new year — especially for artists. Whether the year behind you felt full or frustrating, the urge to rush forward can be surprisingly loud. This studio musing is a gentle invitation to pause, release self-judgement, and begin the year with curiosity rather than pressure.

Michael Freeman: Michael Freeman, UFOs, 2018, pastel on paper, 7 ¾ x 15 ¾ in

Michael Freeman On Surviving the Competitions Rollercoaster

Entering art competitions can be exciting, daunting, and deeply personal. In this guest post, Michael Freeman shares thoughtful, experience-based insights into navigating the competitions landscape — from deciding whether competitions are right for you, to improving your chances of acceptance, and handling disappointment when things don’t go your way. Grounded, honest, and practical, his reflections help artists approach competitions with clarity, resilience, and a stronger sense of self.

Istrian Full Moon detail -

Painting the Night – A Step-by-Step Pastel Nocturne

Join me as I share the progression of a pastel nocturne — from thumbnail and charcoal block-in to layered colour and deepening night with glowing light — along with the thinking behind each stage.

Beth Tockey William: Feature image Beth Tockey Williams, Winter Thaw, 2021, pastel on UART paper, 9 x 12 in. Sold.

Beth Tockey Williams and The Allure of Fire

When an artist turns her gaze towards fire, something magical happens. In this guest post, Beth Tockey Williams shares how she captures the flicker, glow, and elusive dance of flames in pastel — from the first spark to the final trail of smoke.

Corfu Art Retreat: How Six Artists Found Their Courage (and Joy) Outdoors

Imagine painting surrounded by olive trees, the scent of sea air, and the sounds of laughter over dinner. That’s exactly what our Corfu art retreat offered — an unforgettable mix of plein air painting, friendship, and artistic courage. Join me as I share the magic, the moments, and the paintings from our week together in Greece.

quick plein air painting: Feature image

Quick Plein Air Painting – The Art of the Quickie!

Ever told yourself there’s just no time to paint? It’s easy to think that but a few snatched sessions in a tiny Greek village reminded me of what’s possible. In this post, I share three quick plein air paintings each created in well under an hour, how thumbnails made it happen, and why even short bursts at the easel can bring so much joy.

Feature image

Meaning in Art – When Beauty Carries a Deeper Story 

While in Athens after teaching in Corfu, I watched the Evzones perform the changing of the guard — a ritual of grace, symbolism, and history. It made me reflect on how beauty can carry deeper stories, both in ceremony and in art. Sometimes, it’s what lies beneath the surface — the quiet meaning, whether intended or found — that gives a piece its lasting resonance.

Terrilynn Dubreuil, We'll Go Together, 2024, 12 x 18 in

Terrilynn Dubreuil – The Power of Art to Process Loss

When artist Terrilynn Dubreuil lost her mother, she turned to her pastels to make sense of the grief. In this moving story, she shares how painting became both tribute and transformation — revealing the profound power of art to heal and express what words cannot.

Photo of lily

Sharing Your Art When It Feels Imperfect (Do It Anyway!)

At my last workshop, someone leaned in, all secretive, and whispered: “I don’t want to share my paintings until they’re… you know… perfect.” And I had to laugh — in a nice way but also with a raised eyebrow — because if we waited for perfect, the world would never see our art. Here’s the

Cory Goulet: Cory Goulet, Big Red, 2018, Unison Colour, Diane Townsend, Sennelier, ink and gesso on Wallis paper, 27x36 in.

Cory Goulet: Painting Without a Map

Cory Goulet dives into her process of intuitive abstraction, where bold marks, colour, and courage meet discipline and practice. Discover how she balances chaos and harmony, lets intuition lead, and creates work that is both spontaneous and deeply intentional.

Kira Rudjen: Kira Ru-djen, Shanna With Dots, 2023, soft pastels on Canson Mi-Teintes, roughly 11 x 17 in.

Kira Ru-djen – Where Colours Sing and Skeletons Speak

In this guest post, Kira Ru-djen pulls back the curtain on her pastel practice — from blind sketches to bold colour and skeletal forms full of character. Whether painting figures, landscapes, or her beloved “skelebuddies,” her process reveals the deep connection between improvisation, intention, and joy.

It's the Doing that Matters! Gail Sibley, The Bins on Dallas Rd, Schmincke pastels on UART 320, 5 1/2 x 9 in

It’s the Doing That Matters – Plein Air Painting With Mum

I hadn’t been plein air painting in a while, but a spontaneous afternoon with my Mum reminded me why I love it. This post isn’t about masterpieces—it’s about showing up, painting what’s in front of you (even if it’s bins!), and rediscovering the joy of simply doing.

Susan Kuznitsky: Gris Piedra Boutique

Susan Kuznitsky On Simplifying Complex Subjects

Guest Susan Kuznitsky shares how she approaches complex subjects in pastel—from crowded café interiors to a crowd of grandchildren (yes, really!). Through years of experience, she’s learned how to simplify without sacrificing richness, and how to suggest detail without overworking it. If you’ve ever felt overwhelmed by too much going on in a scene, this is the read that’ll help!

Hi!

I'm Gail!

Artist. Blogger. Teacher.

There are so many ways to be artistic, and no one way is better. I believe, that art is a journey that we can all take, and that being creative is something that is healthy and possible for anyone. 

In the How to Pastel Blog I let my love and the enjoyment I receive from teaching about pastels inspire and encourage others to explore the art form. The blog has tips, reviews, guests, and all manner of information about pastel use through the years – old and new.

So, please enjoy my posts and subscribe to receive the latest issues.  

Gail Sibley

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