Pastels 101 -The Ultimate Soft Pastel Online Course

Gail Sibley, “Table Cape, Tasmania,” Unison Colour pastels on UART 600, 6 x 9 in - feature image

From Snapshot to Painting

Discover how a simple snapshot, even from a moving vehicle, can spark an inspiring painting, as I show you how to ‘see’ the potential hidden in those quick photos!

Gail Sibley, Macquarie Reflections, Unison Colour on UART 500 paper, 7 1/2 x 9 1/2 in. - feature image

Painting Reflections on Water

Gail shares guidelines on how to paint reflections on water. She takes you through a demo to illustrate them. It’s from the IGNITE! Membership.

Finding a new Virtual Assistant didn’t go as planned… but here’s why I’m still grateful.

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Gail Sibley, “Table Cape, Tasmania,” Unison Colour pastels on UART 600, 6 x 9 in - feature image

From Snapshot to Painting

Discover how a simple snapshot, even from a moving vehicle, can spark an inspiring painting, as I show you how to ‘see’ the potential hidden in those quick photos!

Gail Sibley, Macquarie Reflections, Unison Colour on UART 500 paper, 7 1/2 x 9 1/2 in. - feature image

Painting Reflections on Water

Gail shares guidelines on how to paint reflections on water. She takes you through a demo to illustrate them. It’s from the IGNITE! Membership.

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More recent editions

Join guest Mark Ivan Cole as he shares his wisdom and his works of forest, mountains, rocks, and water.

The Messy Middle and final painting

The Messy Middle – Don’t Quit!

I recently had the experience of watching one of my demo videos with a friend and I cringed when we watched the part where everything looks an absolute mess. That unpleasant feeling led me to writing this post.

How I Decide What To Paint

“How do I decide what to paint?” Gail addresses this common question by taking you through her starting process. You’ll hear her thoughts in a short video.

Gail Sibley, "Hatchet," Unison Colour pastels on UART 500, 18 x 9 3/4 in - detail of feet

How To Make Changes in Pastel – My Approach

You may think you need to erase to make changes in pastel but that’s not necessarily so. Gail takes you step-by-step through this painting’s evolution, making two changes along the way.

Call yourself an artist - Gail at the easel with "Be Who You Are" on wall behind her

Do You Call Yourself An Artist?

Do you call yourself an artist? Or do you have trouble identifying yourself this way? Here are some ideas about why that may be.

Mary Cassatt, After the Bath, 1901, pastel, 26 x 39 3_8 in (66 x 100 cm), Cleveland Museum of Art, Cleveland, OH, USA - deatil - feature image

Mary Cassatt – After The Bath

In honour of Mother’s day, a close look at “After the Bath,” a painting of a mother and her children by Mary Cassatt. We take a close look at this glorious painting!

A Portrait by Laura Anning Bell in Tate Britain

We dive deep into the details of this portrait by artist Laura Anning Bell. Located in Tate Britain, it’s believed to be a depiction of Annie Horniman, a pioneer of the repertory theatre.

Julie Grieg - The Feeling Of Being There - feature image

Julie Greig – The Feeling Of Being There

New Zealand artist Julie Greig shares her pastel landscapes along with her process. She also takes us through her journey to becoming the artist she is today.

Hi!

I'm Gail!

Artist. Blogger. Teacher.

There are so many ways to be artistic, and no one way is better. I believe, that art is a journey that we can all take, and that being creative is something that is healthy and possible for anyone. 

In the How to Pastel Blog I let my love and the enjoyment I receive from teaching about pastels inspire and encourage others to explore the art form. The blog has tips, reviews, guests, and all manner of information about pastel use through the years – old and new.

So, please enjoy my posts and subscribe to receive the latest issues.  

Gail Sibley

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