What Draws You to a Scene? This Is What Pulled Me In.
Sometimes it’s not the whole scene that makes you want to paint — it’s one gesture, one shadow shape, one small visual surprise. Here’s what drew me to this scene and how that shaped the painting.
Entering art competitions can be exciting, daunting, and deeply personal. In this guest post, Michael Freeman shares thoughtful, experience-based insights into navigating the competitions landscape — from deciding whether competitions are right for you, to improving your chances of acceptance, and handling disappointment when things don’t go your way. Grounded, honest, and practical, his reflections help artists approach competitions with clarity, resilience, and a stronger sense of self.
Cory Goulet dives into her process of intuitive abstraction, where bold marks, colour, and courage meet discipline and practice. Discover how she balances chaos and harmony, lets intuition lead, and creates work that is both spontaneous and deeply intentional.
Guest Susan Kuznitsky shares how she approaches complex subjects in pastel—from crowded café interiors to a crowd of grandchildren (yes, really!). Through years of experience, she’s learned how to simplify without sacrificing richness, and how to suggest detail without overworking it. If you’ve ever felt overwhelmed by too much going on in a scene, this is the read that’ll help!
A disappearing glass edge, reflections in cutlery, glowing leaves, and shadows on a church wall—small moments that reveal how artists learn to see.
A quieter portrait than his famed Pompadour, Maurice-Quentin de La Tour’s pastel of Jean-Charles Garnier rewards close looking — revealing how small, deliberate choices create presence and personality.
Portrait backgrounds can make or break a painting. In this guest post, Alain Picard shares four simple but powerful principles for creating backgrounds that truly support the portrait.
An email arrives. Someone loves your work. Your heart leaps. But not all enquiries are created equal. In this Studio Musing, I unpack a scam message and explore how to tell the difference between flattery and genuine interest.
While painting in La Manzanilla, Mexico, I noticed a quiet thread running through three small pieces — pairs of people together, talking, waiting, simply being. These beach conversations became an exploration of connection, restraint, and the power of suggesting just enough.
What I thought would be a plein air painting trip turned into something quite different. Away from home, with fewer distractions and quieter demands, I found myself finally getting to the work I’d been wanting to do for a long time.
There’s a particular kind of pressure that shows up at the start of a new year — especially for artists. Whether the year behind you felt full or frustrating, the urge to rush forward can be surprisingly loud. This studio musing is a gentle invitation to pause, release self-judgement, and begin the year with curiosity rather than pressure.
Entering art competitions can be exciting, daunting, and deeply personal. In this guest post, Michael Freeman shares thoughtful, experience-based insights into navigating the competitions landscape — from deciding whether competitions are right for you, to improving your chances of acceptance, and handling disappointment when things don’t go your way. Grounded, honest, and practical, his reflections help artists approach competitions with clarity, resilience, and a stronger sense of self.
Join me as I share the progression of a pastel nocturne — from thumbnail and charcoal block-in to layered colour and deepening night with glowing light — along with the thinking behind each stage.
My love of pastel and the enjoyment I receive from teaching about pastel inspired the creation of this blog. It has tips, reviews, some opinions:), and all manner of information regarding their use through the years – old and new. Please enjoy!
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