About

the blog for soft pastel art lovers

Inspired by my love of pastels and the enjoyment I receive from teaching about them the How to Pastel Blog has tips & tricks, reviews, step-by-step progressions, guest bloggers, and a great community on Facebook.

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Gail Sibley, "We Three," Unison Colour pastels on UART black 400, 12 x 9 in.

Check out the Welcome Video!

A bit about me

I am very lucky to have been born and brought up in Jamaica, a land of beauty and complexity, of warmth and coolness, of vibrancy and tension. Many say that my Caribbean upbringing influenced my palette and I think they may be right. I do know that it shaped my worldview. Check out these sites to learn more about me and my work.

Most Recent Edition

Why do our lively, experimental colour studies sometimes turn into cautious, conventional paintings? A Studio Musing about artistic freedom, the pressure to make a ‘proper’ painting, and recognising when we’ve already created something worth keeping.

More Editions...

Painting an overcast day: Gail Sibley, "View from Calella," Sennelier pastels on UART 320, 9 x 12 in. The few tweaks I made were: to tone down the blue in the water, to tone down the lighter green highlights on the tress (remembering the diffuse light of an overcast day), and the addition of the sailboat seen a little while before.

Tips On Painting An Overcast Day

Although painting an overcast day is not something I generally do (I definitely have a preference for sunny days!), while in Spain teaching a plein air workshop at the beginning of May, the weather was more often overcast than sunny. So what could we do except go with what we had? Painting an overcast day

A new pastel demo video! Holly and Negative Space

The Pastel Demo Video I’m really happy to tell you that I now have another video up on YouTube. Have a look at the video then let me know what you think. In it, I talk a bit about using negative space. Was it helpful? Did you understand what I meant? Leave me a comment

Action is the antidote: A wee break and when I came back, I could see that the light patches with darker purples surrounding them gave a feeling of sunlight coming through even though the light was showing cool. As it was this coolness of an overcast day that was the main attraction, something that made the distant light patches stand out, I wanted to make sure we could feel it wasn't a sunny day but rather, a bright overcast one. And I could fuss this to death so time to call it quits!! Gail Sibley, The Light in the Distance, Unison Colour pastels on UART 320 grade paper, 6 x 9 in.

Action Is The Antidote To What Ails You!

I don’t know about you but for the past few days, weeks even, I’ve been feeling a bit listless, a bit blah, a bit draggy. Sure I have work to keep me occupied, for instance, the work I need to do preparing classes, critiques, and demos for my IGNITE! membership, and the work I’ve been

This Painting Was Finished Before I Knew It!

  Have you ever had the experience of a painting that was done before you knew it? Well, this painting was finished before I had a clue. I couldn’t think of what more to do – should I add colour, should I add more detail, should I…what? It happened so quickly that I couldn’t believe it was actually finished. I put it away

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6 thoughts on “About”

  1. Gail! Just got turned on to your website by a fellow artist from Wellington, Ontario… both of us former presidents of the Pastel Society of Eastern Canada. I work primarily in pastel and it will always be my medium of choice! I could never give them up! Being a landscape artist for years, I would now like to change things up a bit and try abstract. I was inspired by your article about the progression of your abstract painting…it’s given me the courage to take that (for me) giant leap and go ahead with an image I’ve had in my mind for a long time. Thank you! I look forward to future e-mails! Your’s is one of the best Pastel websites I’ve come across. Look forward to receiving your emails.
    Kathryn

    1. Thank you for writing Kathryn, and for your enthusiasm! It comes over loud and clear 🙂 I am wondering which article on abstraction you are referring to. Perhaps you can add a comment directly on the blog? Good luck with your leap. I know how difficult it is to make. It’s ongoing risk-taking that’s for sure! Please let me know how it goes.

      Look forward to hearing more from you

  2. Marcia L. Hochstetter

    I just read your article in the April issue of “Pastel Journal”. Thank you so much. I felt as if you were speaking directly to me. I am going to tear it out and tape it to my studio wall.
    Marcia

  3. Hi Gail. I’m really excited and pleased to have discovered your website. I live in southern Australia and I started painting with pastels a few years ago (self taught) , but went a bit stale after doing a couple of workshops- mostly because the pastel artists here who I came across seem to be very conventional and felt that I wasn’t learning much. I’ve been working in oils since and enjoyed it- as I’ve realised, it’s similar in many ways. You showcase so many exciting works – use of colour, composition etc. , and your quick tips are helping me rethink how to approach my work. Looking forward to hearing more about your workshop in Tasmania, or perhaps one in Europe in a couple of years’ time.

    1. Hi Judi,
      Thanks for writing such a lovely introduction to yourself and your work. Certainly oils are similar to pastels in the way one builds a painting. Interesting that! I’m glad though that my blog may bring you back to the pastel side 😀 Even if not, so much of what’s here can be applied to the other media available for painting.
      I look forward to having you in one of my workshops whether in Tasmania or Europe!!

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