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pastel finished? : Gail Sibley, "OverCast Day At The Beach," pastel on Wallis paper, 9 x 12 in

Is This Plein Air Pastel Finished?

I think many of us artists have this problem – knowing when a painting is finished. Sometimes, without our realizing it, a painting is finished back a few steps. I know my tendency is to want to pick away, making the tiniest of tweaks. Often this can eradicate the spontaneity that was there especially when

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En Plein Air: Another pondering. Even with all the lit grasses in lower part of the painting I felt the eye was still held by the house. So I softened the detailing of the siding and slightly greyed part of the yellow by glazing with light blue. Later I added the mauve to the upper portion of the wallto encourage the eye to move down. I also felt the third window kept your attention too much. I tried darkening it but in the end, decided to cover it with tree branches! After working at a few other bits and pieces, I signed it! Gail Sibley, "The Old Creamery," Schminke pastels on Wallis paper, 12 x 9 in

En Plein Air At The Old Creamery, Salt Spring Island

This summer on Salt Spring Island, I was fortunate to paint en plein air a few times with my Mum and Dad. I keep saying it but really, there’s nothing like painting on location for a rewarding experience, both in life and in technical and skills learning. So what did I learn this time? Before

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Since Bernadette suggested seeing all three together (see comments below), here they are: Original, Crop option A, Crop option B

When All Else Fails, Crop!

 A couple of blogs ago, I gave you the step-by-step progression of the pastel I did in Budapest. The painting wasn’t completed and I promised to share the finishing process with you. Well I finally got back to it on Sunday…then again on Monday. Hmmmmm. Every time I worked on it, I thought, Ah yes,

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1. I had taken a few photos of the fountain at Vigado Square in Budapest. Two girls were enjoying the day and having a chat. In these thumbnails, I was working out what composition to choose - looking at all my options.

Budapest Pastel And A Lesson Learnt

We leave Budapest in a few hours. It’s been an amazing stay of almost three weeks – the city is more than I hoped or expected. But I did learn a lesson and that is, you can’t do everything! I had planned on finishing up my online project as well as seeing the city. I had

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Pretty much finished the still lifewith all the highlights and subtle variations of colour added. I did sign it but don't have a photo of that final version. And, uh oh, the pastel is at the Gallery ready for framing! Gail Sibley, "The Yellow Plate," Schminke pastel on Wallis Belgian Mist paper, 9 x 12 in

Still Life Demo at Peninsula Gallery

Saturday past I was set up at Peninsula Gallery, in Sidney, BC for an ‘art encounter.’ From 1-4pm I worked on a still life set up in front of me. It was fun and although it wasn’t busy (the good part of that was that I got to get some work done!), I had some

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9. Gail Sibley, View From Sherwoods, pastel on Wallis paper, 9 x 12 in. Small tweaks made and I called it quits. I may still need to look at it in the studio but for now, this plein air pastel is finished!

Plein Air Pastel Of Big Rideau Lake

I’m home from my wonderful trip to Ontario where Cam and I visited various family members. Kicking myself for not taking more photos! However, I did have time to do one pastel en plein air 🙂 It’s one that I did of a beautiful view of Big Rideau Lake from Cam’s Mum’s porch. The weather

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And here's me at work on the first demo using Schminke pastels

Demos At IAPS In The Schmincke Pastels Booth

At the beginning of June, as you know, I was at the wonderful bi-annual International Association of Pastel Societies (IAPS) Convention. I was fortunate to be asked to demo twice using Schmincke pastels at their booth. What to paint? Well, if you know me, you know I prefer working from life, so the first demo

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Using White Paper For Pastelling

I have done a few pastel demo videos now, all of them on toned Wallis paper. A question I’ve been asked is, Why don’t you use white paper? and What would the pastel painting look like on white paper? I have taken these questions to heart and decided to do a demo on white paper even

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Gail Sibley, “Variation on Diebenkorn’s ‘M’,” pastel on Canson Touch, 22 x 30 in

Experimenting with Canson Touch and Richard Diebenkorn

It’s been a while since I really got into pastel work and rather than jump into a serious piece, I thought, Hmmmm, good idea to PLAY first. Since I’ve been itching to try out Canson Touch and since I now had a sheet of it – colour ‘Sand’ – I thought I’d play on that. I

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