I have done a few pastel demo videos now, all of them on toned Wallis paper. A question I’ve been asked is, Why don’t you use white paper? and What would the pastel painting look like on white paper?
I have taken these questions to heart and decided to do a demo on white paper even though it’s not my usual surface colour. In the demo, I use, for the first time, Terry Ludwig’s set of 14 Best Loved Basics – the company’s uber starter kit. When I first looked at these, I was surprised and a little bit anxious, if I’m truthful, because there wasn’t the usual saturated colour selection I’m used to, for instance, no bright yellow, orange, or green. But I was up for a challenge! Here’s the result.
So let’s have a closer look. First the set-up:
Next the thumbnail.
So let’s look at a few progression pieces:
The combination of the softness of the Terry Ludwig pastels and the sanded texture of the Wallis paper allowed layers to be built up thus eliminating most of the white specks of paper showing through. Where you can see them, I rather like the sparkle that the white paper brings, for instance in the shadow side of the bowl.
Here are the photos of the Terry Ludwig set:
I love the name of this set of pastels – Best Loved. It doesn’t have the name “starter box/kit” or anything like that. Instead, it appeals to our emotions. And this is typical of the way Terry works. For instance, while at IAPS conferences, I have received free samples. (You can see a whole piece I did from this selection of IAPS samples by clicking here.) Terry (and team) also posts artwork by others created with his pastels on the company’s Facebook Page. It’s through this generosity that we not only come to love his pastels but also the man himself.
I was curious as to how this selection of pastels came about – how were the colours chosen? I put the question to Marie Ludwig, President of the Terry Ludwig Pastels. Here’s what she had to say: “The Maggie Price Best Loved Basics, a set of 60 pastels, is the set we most often suggest to new pastel artists just getting started with the medium. We became aware this set would be a price stretch for those new artists and decided to create a small set geared toward them. Terry selected the 14 pastel colors and values he believed would be most useful for the new pastelist.” So there you have it! A fabulous beginner set for sure.
Limitations, counter-intuitively perhaps, enable you to grow as an artist. A limited colour selection, working with colours not usually in your palette, these things will lead to creativity and progress. I leave you with this quote (substitute the word ‘artist’ for ‘writer’):
That’s it folks! Tell me, do you use white paper? If so, why? I’d love to know how you use the white paper. Let’s get a discussion going!
Until next time,
PS. I recently did a pastel self-portrait using the same set of 14 Best Loved Basics. Watch for that coming soon!!