HowToPastel Archives

Showing Results for: Gail Sibley

Susan M Story, "Myosotis Thaw," 2020, oil paint, tempera, Terry Ludwig, Sennelier on Arches paper, 22 1/2 x 30 inches. Available. Inspired by my daily walk with my dogs. There was a beautiful white mist rising from the lake. Sometimes I just love a limited palette and absence of saturated color. Won 11th Prize at 25th Exposition Internationale, Choix Du Jury 2020 PSEC, la Société de Pastel de l'Est du Canada, 1st Place in Pastel Catherine Lorillard Wolf Art Club Annual Online Show 2020Pastel Society Of America Award, Allied Artists Of America Annual Juried Exhibition 2020

Susan Story – Painting the Spirit of Trees

I’ve always loved trees and that love has grown over the years. So it makes sense that I’m drawn to and fascinated by artwork of trees. Susan Story is an artist who focuses on these magnificent beings. Her work weaves together the intricacies of leaves and bark, branches and tendrils, and reveals the chaos that

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Get into juried shows

21 Masters Share Advice To Help You Get into Juried Art Shows

A question I’m asked fairly regularly is this: How do I get into juried shows? This question tells me one of two things: This person feels ready to start submitting but isn’t sure where to start. They may also a bit apprehensive about being rejected OR He/she has already applied to juried shows and experienced

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Bill Creevy, "Desert Cadillac," pastel on multimedia board, 14 x 18 in.

Bill Creevy – Pastel Explorer – In Memoriam…

Bill Creevy. Born 24 May 1942, William (“Bill”) Charles Creevy Jr, PSA-Master Pastelist, Hall of Fame Honoree, left this reality on Monday, 7 December 2020 from complications due to COVID-19. I was deeply saddened to hear the news, both because of his passing and particularly because it was related to this pandemic scourge that has

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Putting Yourself Out There: Gail Sibley, "Love That Frame!," Unison Colour pastels on UART 270, 6 1/2 x 5 1/2 in. Available. $195

Putting Yourself Out There – Demoing in Public

One of my HowToPastel subscribers recently reached out to me. She’d been invited to demo in an open space, with COVID-19 precautions in place, but was feeling too afraid to do it. (Her fears weren’t related to the pandemic.) Because I’d recently demoed at Peninsula Gallery where my mini solo show was hanging, I knew

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Clarence Porter, "The Reaching-No5," 2019, CarbOthello pastel pencils, NuPastels, Rembrandt, Sennelier and Terry Ludwig pastels on Kitty Wallis Museum Grade Archival Sanded Paper, 33 ¼ x 46 ¾ in.

Clarence Porter – A Colourful Outlook On Life

You all know how much I love colour! I love using it, I love seeing it, I love the feeling it gives! And I think this month’s guest, Clarence Porter, loves colour as much as I do 🙂 I encountered Clarence’s work for the first time at the ICAN conference and exhibition in Aurora, Ontario,

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Prioritize art-making: Day 22 - Gail Sibley, Past Meets Present (Gallery Goer series), Unison Colour pastels on UART 500, 6 x 7 in

Six Ways To Prioritize Art-Making

We’ve just finished HowToPastel’s 5th Annual 31-pastels-in-31-days Challenge held throughout October. The Challenge is always an opportune time to prioritize art-making. A few days after it ended, however, I began seeing the odd post that expressed feelings of withdrawal and a bit of anxiety and sadness because someone is missing painting every day or they

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Heather Laws, "Benji," 2016, Pastel on LaCarte, 24 x 16 1/2 inches. Commissioned portrait.

Heather Laws – The Commissioned Animal Portrait

Animal portraits. Every now and again I get a request for information on how to paint animal portraits. In these cases, it’s best to go to the experts…like Heather Laws. A few years ago, I was taken by one of her cat portraits and featured it in one of my monthly round-ups. You can see

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Deal with the foreground: Done!! Gail Sibley, "Exploring the Possibilities (on SSI)," Unison Colour on UART 400, 9 x 12 in. Available.

How To Deal With The Foreground In A Painting

Recently in my IGNITE! membership, I created a mini-course on this question: How should one deal with the foreground in a painting? It’s a common question. I’m going to give you a number of pointers and take you step-by-step through one of my paintings to illustrate what I’m talking about.  (If you want to read

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Jeri Greenberg, "Tipped," 2019, Richeson/Nupastels, 9x14 in. Available

Jeri Greenberg – On Loving Still Life

Hey! It’s time for another guest post. Whoo hoo! And I was thinking it was time to move to the still life as subject. With this thought came berries in glass and unmade beds….namely the work of this month’s guest, Jeri Greenberg! I’ve featured Jeri’s work three times in my monthly roundups. The first was

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Creating Art Is Hard Work!: An hour after starting, this is what I have. I can see a couple more tweaks to make but other than those, this is pretty much done. Gail Sibley, "Escapee," Unison Colour pastels on UART 400, 9 x 9 in.

Creating Art Is Hard Work!!

Creating art is hard work!  Some context….I’m at my Mum and Dad’s on Salt Spring Island. I’ve joined them for their 14-day quarantine on their return to Canada and so far, we’ve had a lovely time together! On our To-Do list is to paint so a couple of days ago, Mum and I set up

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