About

the blog for soft pastel art lovers

Inspired by my love of pastels and the enjoyment I receive from teaching about them the How to Pastel Blog has tips & tricks, reviews, step-by-step progressions, guest bloggers, and a great community on Facebook.

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Gail Sibley, "We Three," Unison Colour pastels on UART black 400, 12 x 9 in.

Check out the Welcome Video!

A bit about me

I am very lucky to have been born and brought up in Jamaica, a land of beauty and complexity, of warmth and coolness, of vibrancy and tension. Many say that my Caribbean upbringing influenced my palette and I think they may be right. I do know that it shaped my worldview. Check out these sites to learn more about me and my work.

Most Recent Edition

At my last workshop, someone leaned in, all secretive, and whispered: “I don’t want to share my paintings until they’re… you know… perfect.” And I had to laugh — in a nice way but also with a raised eyebrow — because if

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Ambiguity In Art – How It Can Benefit Your Own Work

Ambiguity in art: art work having several possible interpretations or meanings; of an uncertain nature. And why am I bringing this up? Think of the Mona Lisa’s smile. It’s ambiguous- we don’t know why she’s smiling and there are so many possible stories we could create. She’s kept us intrigued all through the centuries and

Anna Wainright, "Night Comes," 2015, pastel, 9 x 12 in, Private Collection

Anna Wainright And Her Evocative Landscapes

The pastels by Anna Wainright have awed me over and over again ever since I discovered this artist a couple of years ago.  I featured one of her pieces in one of my first monthly round-ups and I remember having the dickens of a time choosing between three paintings! So I’m tickled pink that she’s here to tell

October's Striking Pastels: Daud Akhriev, "Chloe," pastel on Sennelier La Carte, 25 x 19 in,

October’s Striking Pastels

I’m once again excited to share with you the 10 pastels that I’ve selected from the 87 (yes!) that I collected over the month of October. More and more artists are showing their work on various groups so the choice has multiplied over the last little while. As always, a difficult selection to make and as always, my own personal choices. Along with the many pieces I

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The Messy Middle and final painting

The Messy Middle – Don’t Quit!

I recently had the experience of watching one of my demo videos with a friend and I cringed when we watched the part where everything looks an absolute mess. That unpleasant feeling led me to writing this post.

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6 thoughts on “About”

  1. Gail! Just got turned on to your website by a fellow artist from Wellington, Ontario… both of us former presidents of the Pastel Society of Eastern Canada. I work primarily in pastel and it will always be my medium of choice! I could never give them up! Being a landscape artist for years, I would now like to change things up a bit and try abstract. I was inspired by your article about the progression of your abstract painting…it’s given me the courage to take that (for me) giant leap and go ahead with an image I’ve had in my mind for a long time. Thank you! I look forward to future e-mails! Your’s is one of the best Pastel websites I’ve come across. Look forward to receiving your emails.
    Kathryn

    1. Thank you for writing Kathryn, and for your enthusiasm! It comes over loud and clear 🙂 I am wondering which article on abstraction you are referring to. Perhaps you can add a comment directly on the blog? Good luck with your leap. I know how difficult it is to make. It’s ongoing risk-taking that’s for sure! Please let me know how it goes.

      Look forward to hearing more from you

  2. Marcia L. Hochstetter

    I just read your article in the April issue of “Pastel Journal”. Thank you so much. I felt as if you were speaking directly to me. I am going to tear it out and tape it to my studio wall.
    Marcia

  3. Hi Gail. I’m really excited and pleased to have discovered your website. I live in southern Australia and I started painting with pastels a few years ago (self taught) , but went a bit stale after doing a couple of workshops- mostly because the pastel artists here who I came across seem to be very conventional and felt that I wasn’t learning much. I’ve been working in oils since and enjoyed it- as I’ve realised, it’s similar in many ways. You showcase so many exciting works – use of colour, composition etc. , and your quick tips are helping me rethink how to approach my work. Looking forward to hearing more about your workshop in Tasmania, or perhaps one in Europe in a couple of years’ time.

    1. Hi Judi,
      Thanks for writing such a lovely introduction to yourself and your work. Certainly oils are similar to pastels in the way one builds a painting. Interesting that! I’m glad though that my blog may bring you back to the pastel side 😀 Even if not, so much of what’s here can be applied to the other media available for painting.
      I look forward to having you in one of my workshops whether in Tasmania or Europe!!

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