About

the blog for soft pastel art lovers

Inspired by my love of pastels and the enjoyment I receive from teaching about them the How to Pastel Blog has tips & tricks, reviews, step-by-step progressions, guest bloggers, and a great community on Facebook.

"I am truly grateful for the work put into this newsletter. The content is always inspiring and helpful in my own journey with pastels"

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Gail Sibley, "We Three," Unison Colour pastels on UART black 400, 12 x 9 in.

Check out the Welcome Video!

A bit about me

I am very lucky to have been born and brought up in Jamaica, a land of beauty and complexity, of warmth and coolness, of vibrancy and tension. Many say that my Caribbean upbringing influenced my palette and I think they may be right. I do know that it shaped my worldview. Check out these sites to learn more about me and my work.

Most Recent Edition

When I heard about David Hockney’s bedside note, I smiled. Then I couldn’t stop thinking about it. Why would one of the world’s most prolific artists need a reminder to get up and work? The more I sat with that question, the more I realised the note wasn’t about motivation at all. It was about something much deeper.

More Editions...

Florence Rodway, "George Whiting," 1913, pastel on paper, 63.5 x 49 cm, State Library of New South Wales, Sydney, Australia

Florence Rodway – Little Known Today Yet Successful Portraitist In Her Time

Tasmania, that island off the south east of Australia that many of us have heard of but really know nothing about including the fact that it produced painter Florence Rodway (1881-1971). I think Papeeta was the first piece I saw by Florence Rodway and I was stunned by how beautiful, textured, and contemporary it looked.

Michael Freeman: Michael Freeman, UFOs, 2018, pastel on paper, 7 ¾ x 15 ¾ in

Michael Freeman On Surviving the Competitions Rollercoaster

Entering art competitions can be exciting, daunting, and deeply personal. In this guest post, Michael Freeman shares thoughtful, experience-based insights into navigating the competitions landscape — from deciding whether competitions are right for you, to improving your chances of acceptance, and handling disappointment when things don’t go your way. Grounded, honest, and practical, his reflections help artists approach competitions with clarity, resilience, and a stronger sense of self.

Gail Sibley, "Gazing at Gertrud," Unison Colour pastels on UART 400 paper, 11 1/4 x 8 1/4 in. Detail

My Painting Is Finished! Or Is It?

Another painting in my Gallery Goers series is done! It’s such a great feeling when you think a painting is finished. But then I came back a few days later. Something wasn’t quite right. I hadn’t noticed it while working on the piece – too close to it physically, mentally, and emotionally. I needed some

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6 thoughts on “About”

  1. Gail! Just got turned on to your website by a fellow artist from Wellington, Ontario… both of us former presidents of the Pastel Society of Eastern Canada. I work primarily in pastel and it will always be my medium of choice! I could never give them up! Being a landscape artist for years, I would now like to change things up a bit and try abstract. I was inspired by your article about the progression of your abstract painting…it’s given me the courage to take that (for me) giant leap and go ahead with an image I’ve had in my mind for a long time. Thank you! I look forward to future e-mails! Your’s is one of the best Pastel websites I’ve come across. Look forward to receiving your emails.
    Kathryn

    1. Thank you for writing Kathryn, and for your enthusiasm! It comes over loud and clear 🙂 I am wondering which article on abstraction you are referring to. Perhaps you can add a comment directly on the blog? Good luck with your leap. I know how difficult it is to make. It’s ongoing risk-taking that’s for sure! Please let me know how it goes.

      Look forward to hearing more from you

  2. Marcia L. Hochstetter

    I just read your article in the April issue of “Pastel Journal”. Thank you so much. I felt as if you were speaking directly to me. I am going to tear it out and tape it to my studio wall.
    Marcia

  3. Hi Gail. I’m really excited and pleased to have discovered your website. I live in southern Australia and I started painting with pastels a few years ago (self taught) , but went a bit stale after doing a couple of workshops- mostly because the pastel artists here who I came across seem to be very conventional and felt that I wasn’t learning much. I’ve been working in oils since and enjoyed it- as I’ve realised, it’s similar in many ways. You showcase so many exciting works – use of colour, composition etc. , and your quick tips are helping me rethink how to approach my work. Looking forward to hearing more about your workshop in Tasmania, or perhaps one in Europe in a couple of years’ time.

    1. Hi Judi,
      Thanks for writing such a lovely introduction to yourself and your work. Certainly oils are similar to pastels in the way one builds a painting. Interesting that! I’m glad though that my blog may bring you back to the pastel side 😀 Even if not, so much of what’s here can be applied to the other media available for painting.
      I look forward to having you in one of my workshops whether in Tasmania or Europe!!

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