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Change Things Up: Gail Sibley, "The Pink Wall," Unison pastels on UART 400 paper, 9 x 12 in. Available.

Change Things Up When Painting En Plein Air

I don’t know about where you are, but here in Victoria, it’s still toooo damn cold to go painting en plein air! That’s why it was so lovely to work on location while I was in Mexico (I’ve been back just over a week). I painted en plein air a number of times, partly for

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Lack of colour choices: feature image

Lack Of Colour Choices Will Get Your Creativity Flowing

If all you have is a limited palette, a lack of colour choices can stop you from painting some subjects. I’m here to persuade you to take up the creativity challenge with the pastels you have available – you may be surprised! Take today’s demo – a box of tissues as its subject. It’s a

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Past the ugly stage: Gail Sibley, "Waiting for a Refill," Schminke pastels on UArt 500, 5 3/4 x 5 3/4 in

Working Through The Ugly Stage – Yes You Can!

Have you ever had that experience when you look at what you’re working on and think, “Good grief this looks so awful [or something a bit stronger!] – I may as well quit now!”? I think we’ve all been there. This reaction usually happens at what I call the ugly stage. So what do I actually

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9. The pastel is finished! I simplified all the squiggles at the bottom and also brought in some darks to keep the eye wandering around the piece (and not out over the edge!).

A completely abstract pastel and how I got there!

Whoo hoo!!! I have taken all my new pastels in to be framed for my solo show which opens 16th May 2014 at Gallery 8 on Salt Spring Island. Let me share a piece, an abstract pastel, that will be in the show. I have been working on a series of pastels called ‘Vertical Landscapes’.

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8. The cropped version.

Plein air pastelling in Mexico with a mucho limited palette

In February, I had the pleasure of being in La Manzanilla, Mexico for a week of tango workshops (yay!) followed by a week of relaxing and painting (more yay!). The paintings were done mostly en plein air and over the next few weeks, I’ll share two or three of those pieces. The one I’m going

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