Working in a Series – Unlocking Creative Potential for Artistic Growth
Let’s delve into the creative potential and transformative possibilities that come from working in a series!!
Let’s delve into the creative potential and transformative possibilities that come from working in a series!!
How the story behind The Vesuvius Ladies collection of paintings proves the importance of this idea!
A painting of mother and son in front of a Miró painting from Gail’s gallery goer series. Gail takes you through its creation step by step.
Tired of dull and lifeless paintings? Learn the art of playing with colour. I’ll show you how I transform a dull reference into something bold through colour exaggeration and imagination…and letting go!
The 42nd IAPS Open Division Online Exhibition is now open for viewing. And I’m happy to say that my painting, Black Hats, was accepted into the show. Oh what a feeling!!! I’m even more delighted to share that this acceptance gives me the fifth point necessary to add IAPS/MC after my name. Whoo hoo! So
Sometimes it really is difficult to find something to paint when on location. Gail Sibley offers five tips for when the going gets tough.
It’s easy to recycle UART paper making it perfect for the budget conscious (and earth conscious!) student. Gail goes through the progression of a piece done on recycled UART.
The October 31-pastels-in-31-Days Challenge is well behind us now. The primary purpose of the Challenge is to get something painted each and every day. And this can be oh so hard!! One thing that helps me make this daily practice happen is having a sketchbook of thumbnails. Why is this useful? Because a lot of
I’m not going to lie to you, staying the course of a 31-day challenge isn’t easy. But having done our 31-pastels-in-31-days Challenge for seven (!) years in a row, I now know that there’s a rhythm to it, a rhythm to the challenge. Let’s have a look at that rhythm and how it relates to
Another painting in my Gallery Goers series is done! It’s such a great feeling when you think a painting is finished. But then I came back a few days later. Something wasn’t quite right. I hadn’t noticed it while working on the piece – too close to it physically, mentally, and emotionally. I needed some
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