I couldn’t decide what to paint for my next video demo until I saw a big beautiful eggplant (aubergine) in the market calling out to be painted! So I created a video on the complexities of painting an eggplant. Have a look.
Yayyyyyyy, summer’s here in all its glory. That means it’s time to get pastelling outdoors!! For me, it takes some revving up to do when I’m out of the habit. While Cam was away, I made it a goal to start the ball rolling. I took myself out for breakfast (hmmmm…reward first?) then found a
There’s so much in a garden to paint – long views and closeups, flowers and garden accoutrements, seasonal changes or a single season, a garden corner or an entire garden – all make for great subject matter! I’m in Ontario to teach at the ICAN Pastel Conference in Aurora during the week. Happily the plan is
Today, I’m thinking about the importance of play in art. I feel pulled in so many different ways on a daily basis. There’s so much to get done – finishing my new course, writing and organizing blog posts, updating my websites (hah!), nevermind painting. And oh yeah, what about fun time, downtime, a balanced life?!
![Pastels on black aper: Gail Sibley, "Untitled [at this point], Mount Vision pastels on Sansfix pastel card, 5 1/2 x 7 3/4 in](https://www.howtopastel.com/wp-content/uploads/2016/04/IMG_9649-2-300x209.jpeg)
Occasionally I get asked the question: Do you ever use soft pastels on black paper? And the answer is: Well no, I don’t. Mind you, when I first started in pastels over 20 years ago, I worked on a dark green mat board. So I have worked with pastels on dark paper, just not black
We’re back from our two-week vacation in La Manzanilla, Mexico where we danced up a storm during the first week in a tango intensive workshop and then relaxed a bit in the second which is when I managed to get some pastelling time in. This pastel is a view from the verandah of Martin’s Restaurant.
I’m in La Manzanilla, Mexico. My first thought was to do a plein air piece to share with you but guess what? It was a cloudy day and without the sunlight to sparkle the scene, nothing inspired me. So what to do? I decide to make use of my life experience in the painting. I’d
I think many of us artists have this problem – knowing when a painting is finished. Sometimes, without our realizing it, a painting is finished back a few steps. I know my tendency is to want to pick away, making the tiniest of tweaks. Often this can eradicate the spontaneity that was there especially when
This summer on Salt Spring Island, I was fortunate to paint en plein air a few times with my Mum and Dad. I keep saying it but really, there’s nothing like painting on location for a rewarding experience, both in life and in technical and skills learning. So what did I learn this time? Before
 A couple of blogs ago, I gave you the step-by-step progression of the pastel I did in Budapest. The painting wasn’t completed and I promised to share the finishing process with you. Well I finally got back to it on Sunday…then again on Monday. Hmmmmm. Every time I worked on it, I thought, Ah yes,
Your information will never be shared or sold to a 3rd party. Privacy Policy
