As you know, I was recently at the 12th pastel convention of the International Association of Pastel Societies (IAPS) in Albuquerque. One of my self-set tasks was to create as many short artist interview videos as I could during the four days and incredibly packed schedule. I’ve created these interview videos over the past three IAPS conventions and this time, I was pleased to interview 17 artists! I asked each a single question. Some of the same questions were answered by a few of the artists. And happily, two artists (Albert Handell and Bill Creevy) answered two questions!
I’m back from four amazing days at IAPS!! This pastel conference connects and reconnects you with wonderful people who are all passionate about pastels. It also inspires you through demos, workshops, and the exhibition of amazing work from around the world. It’s also a place to stock up on pastel supplies at the ‘candy store’ where you can converse directly with the vendors – offering feedback, finding out about new products, getting the best deals you’ll probably find. While there, I had the opportunity to demo with Sennelier pastels at the Savoir Faire booth. I thought I’d share the progression and results of this demo with you.
At the beginning of June, as you know, I was at the wonderful bi-annual International Association of Pastel Societies (IAPS) Convention. I was fortunate to be asked to demo twice using Schminke pastels at their booth.
What to paint? Well, if you know me, you know I prefer working from life, so the first demo was a no-brainer – I’d do a still life set up. And if you’ve been following my YouTube videos you know I’m a big promoter of using quality pastels in a limited palette. (This is to help show beginners that they only need to start with a small selection of pastels which means they can afford to purchase good quality rather than mediocre pastels!)
And what did I decide to do for my demo the following day? Well, wait and see!
Let’s have a look at the first demo.
One down, one more to go.
I decided that since I had recently begun offering a workshop called “Reality to Abstract,” I’d have my second piece use the first demo as a base from which to go abstract. And even though Gary was kind enough to offer me the use of a larger set, I decided to stick with the smaller set to see what would happen.
I enjoyed trying out new papers and can certainly recommend them both – UArt 320 and Pastel Premier 320 Italian Clay. They both took the layering of soft pastel very well. And of course I loved using the Schminke pastels!
Look forward to hearing what you think about these pieces! So please leave a comment 🙂
Until next week,
I managed to persuade 10 artists at the International Association of Pastel Societies (IAPS) Convention to say a few words on video in answer to one question. This post will include half the IAPS interviews, the next, the rest. (One interview went way over the one-to-three minute mark and the story was so fascinating that I thought, hey, this would make a great guest blog so look for that next month!)
Settling back into real life after a fabulous time at the 2015 International Association of Pastel Societies (IAPS) Convention in Albuquerque, New Mexico. What to tell you about it??
Well, for the first time, I was totally on the Vendor side of the Convention – I didn’t register as a participant (for one, it sold out so quickly – which is fantastic!) so I didn’t sign up for any demos.
I got to serve and play in the Candy Store both at the Holbein booth and at the Schminke booth. At each place, I was greeted by many of my subscribers who shared how much they love this blog. Wow – talk about walking on air!!! Makes all this effort oh so worth it. I’m kicking myself for not getting photos of me with these encouraging folk.
I also didn’t get photos with myself cozying up to the big whigs and my pastel heroes. Why I didn’t do that I can’t tell you – I just never thought of it at the time. Argh. I’ll do better in 2017! The connecting with old friends and making new ones is a huge part of the joy at IAPS. Here are a few photos in the trade show:
One of the really fun things at IAPS was the Paint-Around with Stan Sperlak, Tony Allain, Terri Ford, Alain J. Picard, and Marla Baggetta – what a hoot. Each artist starts a painting then every 10 minutes, the painting moves on one person until it comes back to the originator. I only saw the end of the event but could, on entering, feel the fun and frantic energy in the room.
When not demoing over at the Schminke booth in pastels, I was playing around in acrylic (heavy body and the new fluid paint), Acryla Gouache, and water soluble pastels at the Holbein booth, showing off how fabulous the products are. This while Stef showed off her skills in pastel at the Holbein booth.
Then there was the IAPS exhibition itself that I managed to dash into a couple of times (but regrettably missed the walk-around with Duane Wakeham). So many wonderful pictures!! Happy to see many that have been featured in my monthly round-up!
It wasn’t all work. The first day I got there (Tuesday 2 June), I managed to get in the pool. The outside temperature was so warm. What a treat. Ahhhhhhhhhh. AND, to top it all off, that night there was a full moon. Sigh.
Here are some of the other cool things that happened:
– I danced like crazy Thursday night with Stef as my partner then persuaded Schminke’s Gary to have a dance, and eventually got a whole heap of gals up to dance to Artisan Art Store’s own Ron Whitmore’s band
– I recorded about 10 short video interviews (which I will be posting in the next few days) thanks to the generosity of the artists who participated
– I enjoyed the keynote talk at the Saturday banquet by Esther Bell (Curator in Charge, European Paintings at the Fine Arts Museums of San Francisco) about the effect of the French Revolution on the way pastels were used in later decades. It’s only now that the full force and styles of pastels is being revived
– I ate and drank very well thanks in huge part to Holbein’s Doug Hopper and to other kind souls around
– I caught up with my friend Stephanie Birdsall – a lot can happen in two years!
– I had wonderful conversations with so many fabulous artists like Duane Wakeham, Jimmy Wright, Sandra Burshell, Bill Creevy, and Marla Baggetta. I only wish I could have found the time to do more socializing (for example, Sally Strand and I totally missed getting together – I don’t know how that happened!).
– I did two demos in the Schminke booth and was generously provided with UArt and Pastel Premier papers to try out. I loved them! Not so much worry now about the unavailability of Wallis paper. I will show you the demo progress of the pieces in my next blog.
– On Sunday 7th June, after connecting with various folk in the morning, I made my way to the Albuquerque Museum of Art and History just around the corner. (I got caught in an unusual 2-min downpour getting there. Crazy! I was pretty wet by the time I found the entrance.) I’ll share some of the work I saw in a blog for gailsibley.com. In the meantime, here’s a few images to keep you going.
And that’s about it!
Being at the IAPS Convention really was a time of joy – hanging out with people who love pastels as much as I do in beautiful and warm New Mexico. Doesn’t get much better than that!
Until next time,
PS. Really, I’m not Rita!
Lesson Learnt at Opus Demo
Last month, I was invited to do a pastel demo and chat at Opus Downtown Vancouver on Sunday afternoon. I went over to the mainland and spent the weekend with my brother and his family. On Saturday, I went out and bought a selection of vegetables. I thought it might be a good idea to try a set up and then make a small thumbnail so I could have some sort of plan the next day. Good idea yes? I thought so. So I excused myself from family fun and went to work. Here’s the thumbnail sketch I did:
I was all set. Or so I thought. The next afternoon, I set up the vegetables at Opus, turned on my flood light, and…..all the values were different. For instance, where the shadows had been the darkest value, now they were a middle value. It didn’t matter that the set up was the same including the same temperature bulb shining from the same direction. The ambient light was different and that seemed to make all the difference.
Conundrum – should I stick with the old plan even though I don’t see that, or take the time and effort to create a new one? I decided I couldn’t just make it up and so created a new one:
Subtle difference in the thumbnails but a big difference when it came to pastelling. Just goes to show, even though you prepare, you need to be flexible and be able to change at a moment’s notice! The plans of mice and men….. Still, I’m glad I did do the veg set up and selection beforehand.
Here’s the pastel that emerged from the demo. I didn’t get nearly as far as I had planned (it always takes way longer to answer all the questions before getting going and also along the way) and I added things like highlights long before I normally would but I wanted to show how I would finish. All in all, it gave a good taste of layering and how you can make do with a limited palette.
As you probably know by now, I’ll be on my way to the International Association of Pastel Societies (IAPS) Convention at the beginning of June. As I did last time and the time before, I’ll be helping out at the Holbein booth. This year for the first time, I’ll also be demoing…at the Schminke booth. I’ll be there Friday 5 June 9am-12pm and Saturday 2-5pm. In between, I hope to shoot a LOT of short videos like I did two years ago.
What I want to know is, if I asked one question to a number of the artists, what would it be?
I’m looking for input, what do you want to know? If it’s a question for a specific artist, let me know. Please leave your questions as a comment so we can all see them.
To get an idea of who is teaching, go to the IAPS website here. Remember too that there will be a lot of amazing artists attending and I hope to ask them questions as well!
To give you inspiration, here’s a few of the videos I shot last time. Click on the image to watch. To see all the interviews, go to my Channel and check under “Interviews”.
So, what’s your burning question?! Tell me so I can ask it when I go to IAPS!!!
Next time, I’ll have my pastel choices for April. Wait for it!!!
Thanks for being here,
PS. Your burning question is???
PPS. If you are coming to IAPS, please come find me at either Holbein or Schminke booths!
I have been ultra busy preparing for my show opening this Friday and so my blog writing has slipped a wee bit. (Okay, that was an understatement!) Rather than let even more time pass by I thought I’d write a quick and dirty one. (If you want to know where that phrase came from like I did, click here.)
Have you seen the current International Association of Pastel Societies (IAPS) show?? This 24th Juried Exhibition can be seen at the Vose Galleries in Boston until 21st June. If you are in the neighbourhood, you can be sure it will be worth the visit!
I thought we could all have a look at the accepted entries and the winners and then ask you to choose your favourite and tell us why you made your choice. I’ll start. First, go and look at the IAPS exhibition by clicking here.
Okay, here’s my first choice.
I love this painting. Let me count the reasons why.
First off, it’s a wonderful portrait!
We see a boy concentrating as he makes his mark on….a transparent surface, glass perhaps. This surface is absolutely there and I am in awe at my belief. I know this painting is a two dimensional surface and yet I can’t help but believe I am looking up through glass at this young artist at work. Okay, so that’s two things.
Another thing I love is how my eyes track around the painting. I am pulled in by the boy’s eyes but instead of staying there (which can easily happen especially here with his intense concentration), I look where he is looking, i.e. his eyes direct me to my next stop – the red mark being created by his hand. From there I see green scribbles against the lighter reddish background. I follow them to the left where bright coloured marks contrast with the boy’s black shirt. These lead me up to his arm where I find a spiralled blue rose which lands me on the hair of his head and the faint halo created by light behind. And then I’m back at his eyes. An exciting journey through the piece.
The background feels as if its been thought out not just an accident or an after-thought (which is the way it appears in some work I’ve seen!). The balance between the light parts and the dark, and their placement in the whole seem perfect.
This young man, I have the feeling I really want to meet him. I want to know what he’s thinking about as he draws. I want to know what he wants to be when he grows up. I want to know him.
Now the thing that gets me the most is Christine’s daring and courage. Okay, so imagine. You’ve created this beautiful portrait but to capture what’s going on, you have to scribble all over it! Are you still imagining?? You have to choose different coloured pastels and make random marks all over your beautiful piece. Now that takes guts! And confidence. And sheer will and determination. So I figure, the title, Determined, could also refer to the Christine as much as her subject.
And just because, here’s a second choice.
Here we find a different kind of drama, one of nature. I feel it, I can see it, I can smell it, I can taste it. I love the even value of the whole piece with only a few specks of dark in the line of trees and a wee bit of light from that minuscule piece of light escaping from behind the clouds and reflected in the water below. This is almost an abstract painting!
Just for curiosity, I’ve included both paintings in a black and white version so you can see the difference between the two in terms of value. Christine’s painting runs the full gamut between dark and light while Carol’s is almost only one value. And they both work magnificently.
There are so many more beautiful paintings I want to comment on but I’m going to stick to these two. I would so love to hear about your favourite painting. (And it can be from any of the entries.) Just give the name of the artist and title and a sentence or two (or more!) why you like the piece. Come on, I’d LOVE to hear from you. You can always just reply to this email if it’s easier and I will post your answer.
I look forward to hearing from you!!