Tag Archives: guest blogger

Maria Marino – Responding Emotionally To The Landscape

When I think of the work of Maria Marino, I think of pastel paintings full of vitality, texture, and colour. And when I say paintings, I think with Maria Marino’s work, they really are paintings! She applies the pastel so thickly, you feel you could be looking at a thick brush stroke of oil paint.

I’ve featured Maria in my monthly selections and have always been intrigued by the process by which she works. I’ve also been amazed by her very textural ink drawings full of density and dark. So, as you can imagine, I am delighted to have Maria Marino as a guest blogger!

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Wade Zahares, The Shortest Day, 2008, Schmincke pastel on Wallis, 24 x 30 inches. City skies on snowy nights always amused me with the strange colors that light up the night. 

Wade Zahares – Whimsy, Colour, And A Winter Wonderland!

As we close in on Christmas and the holiday season and all the laughter and love that seems to be that much more apparent and visible at this time of year, not to mention all the sparkle, light, and in northern climes, winter temperatures and snow, I wondered who to invite as a guest blogger. How do we celebrate this time of magic and memories of childhood? And then it came to me, the work of Wade Zahares!

I’ve been delighted by Wade’s work for sometime now. His amazing perspectives and unusual viewpoints not to mention his saturated colour and sense of fun and magic appeal to me enormously, so much so that I’ve featured his work twice in my monthly round-ups (in September 2015 and March 2017). I was super pleased when he agreed to do this last guest blog of 2017!  Although Wade paints all seasons, I asked him to put the primary focus on his winter scenes, the season being what it is.

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Lyn Diefenbach, "Counterpoint," Sept 2017, Pastel on Ampersand Pastelbord, 24 x 24 in. Available.

Lyn Diefenbach – Revealing The Complexity Of The Natural World

I met Lyn Diefenbach at this year’s IAPS convention. I had featured her self-portrait in one of my monthly roundups and admired the detailed complexity of her work for some time so I looked forward to meeting her. And you know what? She’s as delightful in person as you could hope! She’s also a great storyteller and she had me laughing much of the time!

After creating a short interview video with her (see the end of this post), I knew she would have much to say to you so asked her to be a guest blogger. And yay – she said yes!!

Here’s a teaser in case you don’t know her work.

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Sandra Burshell, "Rest," 2016, Pastel on UArt 500 grade sanded pastel paper toned orange and mounted to acid-free foam core, 25x23 in

Sandra Burshell – The Beauty Of Colour, Light, And Atmosphere In Her Roomscapes

It’s my great pleasure to have Sandra Burshell as guest blogger. I’ve featured Burshell’s work twice in my monthly round-ups – the first time was a figure (click here to see it), and this past June, I included her interior, “What Could Have Been.”

I’ve always been intrigued by the way Sandra Burshell applies pastel, with her marks coalescing into a readable form, one filled with light and colour and atmosphere. You’re in for a treat as she shares many images, and also takes us through the progression of “Rest,” a painting that just received the President’s Award at the current Pastel Society of America’s annual exhibition.

 

In case you don’t know her work, here’s a taste:

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Jacob Aguiar, "Evening Calm in Blues," pastel on paper, 12 x 18 in

Jacob Aguiar – On Painting The Glory Of Sunsets

What happens when you watch a sunset? Chances are you’re in awe and glad to be alive. It may make you laugh or move you to tears. And inevitably, as an artist, you’ll probably feel the urge to paint it. But dang, painting sunsets can be tricky. For one thing, the sun sets so quickly! It’s almost impossible to keep up. And so what do we do? We take photos and plan to paint from them later. And when we do, our paintings just don’t live up to our experience. Jacob Aguiar is a fantastic landscape painter in pastels but it was his sunsets that stunned me – each one evokes the emotions that often accompany the setting sun.

How does he do that??

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Maureen Spinale, "Joy, Peace & Hope," pastel painted on UArt 400, 18x18 in. I was just so taken by the light in this stand of Aspens, made me thankful to be among them.

Maureen Spinale: Painter Of Trees, Guardians of the Earth

Last year I featured a painting of trees by Maureen Spinale that just blew me away. (See that painting and what I wrote here.) Since then, I’ve seen more and more of her paintings, and each piece takes my breath away. A lover of trees myself, I definitely wanted Maureen Spinale as a guest blogger. And here she is!

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Richard Suckling, "Horadada," Unison and Sennelier pastels on Sennelier LaCarte 9 ½ x 12 ½ in. Painted from a lovely tapas bar in the village on the sea front with a nice bit of shade.

Richard Suckling – Studio Artist Takes On Plein Air Painting

Bright and bold were the words that came to mind when I first saw the work of UK artist Richard Suckling. His work dazzles with colour and light. I featured his work last March and since then have been awed every time he posts a new piece.

In October, I noticed he’d started to post pieces done en plein air in Spain. They startled me with their immediacy and had a quality of fearlessness. And so I invited Richard to contribute a blog about these pieces. Little did I know that they were indeed daring as painting on location was out of this studio painter’s comfort zone!

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Alain Voinot, "At the Nature Park," pastel on black Canson Mi-teintes paper, 25 x 19 in. The same composition, this time on black paper. Can you see the difference the paper makes?

Alain Voinot – Illuminating The Landscape On Black Paper

I am delighted to have Alain Voinot from France as my guest blogger this month. I featured one of his pieces back in March and have always been astounded how he uses black (or dark) paper as his support for landscapes.

A particular skill is needed to work on black. Yes, it shows up bright colours wonderfully, but what about light, subtle, or landscape colours?  I’ve done a few experiments on black paper (you can see one here) but I found the experiences, so far, unsatisfying. Alain Voinot is a master at using black as his paper colour. The fact that he uses it for creating landscapes, often very green landscapes, is doubly impressive.

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