Bright and bold were the words that came to mind when I first saw the work of UK artist Richard Suckling. His work dazzles with colour and light. I featured his work last March and since then have been awed every time he posts a new piece.
In October, I noticed he’d started to post pieces done en plein air in Spain. They startled me with their immediacy and had a quality of fearlessness. And so I invited Richard to contribute a blog about these pieces. Little did I know that they were indeed daring as painting on location was out of this studio painter’s comfort zone!
I am delighted to have Alain Voinot from France as my guest blogger this month. I featured one of his pieces back in March and have always been astounded how he uses black (or dark) paper as his support for landscapes.
A particular skill is needed to work on black. Yes, it shows up bright colours wonderfully, but what about light, subtle, or landscape colours? I’ve done a few experiments on black paper (you can see one here) but I found the experiences, so far, unsatisfying. Alain Voinot is a master at using black as his paper colour. The fact that he uses it for creating landscapes, often very green landscapes, is doubly impressive.
Bold colour. Confident strokes. Clear value pattern. Strong design. These are all phrases I would use when describing work by Jen Evenhus. And they are all things I admire and strive for in my own work. So you can imagine how pleased I was when she agreed to share one of her ideas about painting with us.
30 paintings in 30 days – that’s quite the challenge. One artist who was successful in taking on the challenge recently is Takeyce Walter. I featured one of her lovely pieces in January’s monthly curation and it occurred to me that it would be fascinating to hear all about the process of creating 30 paintings in 30 days – the ups, the downs, the struggles, the triumphs. And Takeyce agreed!