Tag Archives: Gail’s work

10 minute painting: Gail Sibley, "Hair Care," Unison pastels on UART 320 paper, 5 x 6 in

A 10-Minute Painting? Yes You Can!

Every week in the HowToPastel Facebook group, we have a Friday Challenge. The challenge could be to paint a specific subject or create a painting in particular way. Last week, inspired by the interviews with Jen Evenhus and Tony Allain, the challenge was to create a 10-minute painting. Yup you heard me. A 10-minute painting. Since it was my challenge, I thought I better darn well take part!

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DK Project: Pencil sketch for "Taking a Sip"

Curious About What I’m Working On? It’s the DK Project

A couple of posts ago, I mentioned that I was working on a BIG project that was going to consume a LOT of my time hence my skipping the round-up of December paintings and also missing last Tuesday’s blog. (Thanks to those of you who wrote me noticing that a blog hadn’t arrived in your inbox last week!) I’ve been given the okay to tell you about it. I can’t share all but I can give you hints. Curious? Let’s call it the DK Project.

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No Time to Paint? Gail Sibley, "The Plug," Unison pastels on UArt 400, 3 1/4 x 6 in. Finished after a few tweaks.

No Time To Paint? No Excuse! Painting A Plug In 20 Minutes

So you think you have no time to paint? One of the things I learned doing the 31 in 31 challenge last month is that there really is always a way to carve out time to create art.

I spend a lot of time on my computer these days, e.g. working on my blog, connecting with members of the HowToPastel Facebook group, or developing my online courses. I often feel desperate for and incapable of finding time to get in my studio, but having done the challenge, I realize that’s a crock! It’s easy to make excuses about having no time to paint. So what to do about it?

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Gail Sibley, Red Onion, Terry Ludwig pastels on UArt 500, 5 x 6 in

Take One Small Set Of Pastels (Terry Ludwig In This Case) And Then…

You know I’m always on about the benefits of limiting your palette. When you’re starting out in pastels, the choice (and price!) of soft pastels can be overwhelming so I always suggest beginning with a small set of quality soft pastels. Play around with that set, get to know what the pastels in a limited palette can do, and then start adding sticks as you find your way. Starter sets are definitely not going to have an ideal range of colours and values but they are a good place to start. So I thought I’d practice what I preach and show you a number of pieces created using only the pastels from the Best Loved Basics set from Terry Ludwig.

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Past the ugly stage: Gail Sibley, "Waiting for a Refill," Schminke pastels on UArt 500, 5 3/4 x 5 3/4 in

Working Through The Ugly Stage – Yes You Can!

Have you ever had that experience when you look at what you’re working on and think, “Good grief this looks so awful [or something a bit stronger!] – I may as well quit now!”? I think we’ve all been there. This reaction usually happens at what I call the ugly stage.

So what do I actually mean by the ugly stage?

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From Gail Sibley's post 'Get the most out of a workshop': My demo

14 Ways to Get the Most Out of a Workshop

Are you going to take a workshop anytime soon? I recently taught my workshop, Ramp Up Your Colour, to a small group of students on Salt Spring Island. Their focus and willingness to follow where I led was so rewarding. They really were the ideal students! Seeing their dedication to learning inspired me to write this post about ways to get the most out of a workshop.

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Limited Palette: Highlights added, plum forms further refined, pattern on bowl quietly indicated, bowl's cast shadow enhanced, single stem added. And after 35 mins, it's done! Gail Sibley, "Backyard Plums, Terry Ludwig pastels on UArt 400 grit paper, 6 x 6 in

Push Your Creativity with the Restriction of a Limited Palette

I was on a deadline today – a post was due to be published! I wanted to show you a progression through one of my paintings. Problem was, I didn’t have anything to share. So I needed to get creative quickly. I set a timer and chose a limited palette by using a starter set. I decided on Terry Ludwig’s Best Loved Basics because I knew it contained a deep purple and I was going to need it since I’d be painting plums. Once I got started though I wondered how in the world it would be successful – I was missing colours I felt I needed!! But I didn’t have time to waffle about so I got stuck in and embraced the restriction of the limited palette. Have a look!

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Pastelling Outdoors: 10. Gail Sibley, "Summer's Here," Sennelier pastels on Wallis paper, 9 x 12 in, available

Pastelling Outdoors (And Chillin’!) In Oak Bay

Yayyyyyyy, summer’s here in all its glory. That means it’s time to get pastelling outdoors!! For me, it takes some revving up to do when I’m out of the habit. While Cam was away, I made it a goal to start the ball rolling. I took myself out for breakfast (hmmmm…reward first?) then found a neighbouring park where I set up to paint the sunny view of sea and sailboats.

So let’s take a look at what happened when I went painting en plein air.

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11. A few more tweaks and for now, it's done! "Garden Corner, Schminke pastels on Wallis paper, 9 x 12 in

Garden Corner – An En Plein Air Progression

There’s so much in a garden to paint – long views and closeups, flowers and garden accoutrements, seasonal changes or a single season, a garden corner or an entire garden – all make for great subject matter!

I’m in Ontario to teach at the ICAN Pastel Conference in Aurora during the week. Happily the plan is to spend both weekends with my sister and her family. Last weekend at her place, I found some quiet time to pastel en plein air. It’s been awhile since I’ve painted on location – Mexico in February was the last time – so this was such a pleasure. Hot weather standing in the shade painting. What could be nicer?

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