As you know, I was recently at the 12th pastel convention of the International Association of Pastel Societies (IAPS) in Albuquerque. One of my self-set tasks was to create as many short artist interview videos as I could during the four days and incredibly packed schedule. I’ve created these interview videos over the past three IAPS conventions and this time, I was pleased to interview 17 artists! I asked each a single question. Some of the same questions were answered by a few of the artists. And happily, two artists (Albert Handell and Bill Creevy) answered two questions!
Have you ever used Sennelier’s iridescent pastels or indeed, any iridescent soft pastels? I hadn’t and I was curious about them. So I acquired a box of 24 Sennelier’s iridescent pastels.
I just created and published a video showing my unboxing of the set for the first time, recording my initial reactions (YUM!).
I also tried out all of the iridescent pastels on three different types of paper:
- the mid-value La Carte Pastelcard provided with the set,
- a piece of black Canson Mi-Teintes (the smooth side),
- and a piece of UART 280 (the company’s coarsest grade of sanded paper).
I then did a demo with ten of the iridescent pastels, copying a demo piece I’d recently done in a workshop using regular Sennelier pastels.
Probably the question I get asked the most is: “What pastels would you suggest I start with? And by the way, I have a limited budget.” Choosing your first soft pastels should be easy but with all the choices we have, the decisions become more difficult. This week I answer the question!
Recently I was asked to share how I create greys in my pastel paintings. Rather than write an email in reply, I made a video on painting gorgeous greys in soft pastel as I thought my answer would benefit many pastel artists.
Take a look!
Is it really December already? (Someone tell me no, it ain’t true!) Look out for my monthly picks next week. In the meantime, this week I made a video about why I don’t blend pastels.
I frequently get asked the question – Gail do you blend your pastels? OR Gail why don’t you blend pastels? In the video below, I set out to show, with sample swatches, why it is that I prefer to layer rather than blend pastels.
You know I’m always on about the benefits of limiting your palette. When you’re starting out in pastels, the choice (and price!) of soft pastels can be overwhelming so I always suggest beginning with a small set of quality soft pastels. Play around with that set, get to know what the pastels in a limited palette can do, and then start adding sticks as you find your way. Starter sets are definitely not going to have an ideal range of colours and values but they are a good place to start. So I thought I’d practice what I preach and show you a number of pieces created using only the pastels from the Best Loved Basics set from Terry Ludwig.
I couldn’t decide what to paint for my next video demo until I saw a big beautiful eggplant (aubergine) in the market calling out to be painted! So I created a video on the complexities of painting an eggplant. Have a look.
Occasionally I get asked the question: Do you ever use soft pastels on black paper? And the answer is: Well no, I don’t. Mind you, when I first started in pastels over 20 years ago, I worked on a dark green mat board. So I have worked with pastels on dark paper, just not black paper. But once I discovered sanded paper, ie Wallis paper which came in the warm mid-value colour known as Belgian mist that I used at first, it was bye-bye dark paper!
When thinking about what I could do a new pastel demo for YouTube on, I recalled the question about pastels on black paper and here you have the result. I’m using pastels from Mount Vision’s workshop set of 50 pastels on Schminke’s Sansfix pastel card.