Gorgeous Greys - three samples

Gorgeous Greys – Creating At Least 50 Shades!

Recently I was asked to share how I create greys in my pastel paintings. Rather than write an email in reply, I made a video on painting gorgeous greys in soft pastel as I thought my answer would benefit many pastel artists.

Take a look!

 

 

As you can see, I like to layer complimentary colours to create vibrant and interesting greys. Why pick up a grey pastel when you have this option?!

 

Here are the final 50 shades of gorgeous greys:

50 shades of gorgeous greys

I love the way you can see the pure saturated colours of the sticks above the box in which they are layered and where they neutralize each other’s brightness.

 

To make grey, you need the three primary colours – red, blue, and yellow – plus white. Mix all of these together in various amounts and you get greys – hundreds of them! Some will lean to the warm side while others will be cool. You can run through the whole value spectrum from black to the palest of greys. Mixing complementary colours (red/green, blue/orange, purple/yellow) will do the same thing as between them, there’s some combination of the three primaries.

It’s much easier to achieve these gorgeous greys with paint – just squeeze tubes and mix the colours on your palette. In soft pastels, things work a bit differently. Layering takes the place of mixing on the palette and so your grey may not be as perfectly achromatic as when you mix with paints. Still you will end up with a more neutral colour than each stick on its own! And it’s these combinations that make for an infinite variation of vibrant gorgeous greys. I get excited just writing about them!

 

Here’s a close-up:

A close-up of the gorgoeus greys!

Aren’t these just yummy?!

 

Don’t just use this technique for obviously grey subjects like a grey wall or grey clouds. Anytime a colour doesn’t shout out at you like a red stop sign, you are probably looking at some form of grey whether very neutralized ie ‘grey’ or just off the pure colour.

And greys will make your colour accents pop! Just look at the colour swatches above their greyed counterparts.

So instead of reaching for a grey or neutral pastel, why not try layering two complementary colours. Try it out and let me know how your experiments go! I want to hear that you’ve tried creating these gorgeous greys!

~ ~ ~

On another note, you may have noticed I’m now creating Q&A videos. I have a couple more lined up but I’d love to hear your questions. If you have one, arrange a free 15-min call where I’ll try to answer your question. If I feel it will benefit others to hear my answer, I’ll choose it to create a video! So schedule your session now!

I’d love to hear what you think about the video – pushing the authentic envelope for me – eeeeek!

Until next time,

~ Gail

 

34 thoughts on “Gorgeous Greys – Creating At Least 50 Shades!

  1. Valerie Fairbanks

    I so enjoy listening to your bubbly happy good natured self. I’ve discovered pastels not to long ago. Love them. Thank you so much for sharing.

    Reply
  2. Mary Planding

    Love your tip Gail. It’s something that I’ve been learning to do this past year and I find it amazingly freeing. I no longer feel compelled to go out and buy all these “grayed” pastels. It’s much more fun to create my own. And since I think of myself as a colorist, I find that using this technique really lets my colors shine because the “grays” highlight how gorgeous all the other colors are. These grays are alive, and marry with all the other colors I’m using. It’s a wonderful experience watching a painting come to life as you use this technique. Thank you so much for sharing!!!!

    Reply
    1. Gail Sibley Post author

      I agree Mary – the fun is in the mixing! And yes, greys do highlight all the other colours. So glad you are experimenting and pushing the possibilities!

      Reply
  3. Curt Gandy

    Great video! This is really helpful. I have a friend who paints with oil and uses black to shade colors. I told her to use the color’s compliment instead of black. I then showed her what I meant and she did not know that adding the compliment can darken the source color nor that if you continue to mix you will get a neutral gray which is in most cases a type of brown or sienna, depending on the colors (with oil or acrylic, anyway). This video shows that shading with compliments yields and much more colorful and rich shade as well as enhances the color harmony of a piece. Well done!

    Reply
    1. Gail Sibley Post author

      Thanks Curt! Yes, those who paint in oils or acrylics or watercolours really have an amazing opportunity to create beautiful lush greys only with red, yellow, and blue (and some white if needed for lightening). Still we pastellists have a fabulous opportunity too!

      Reply
  4. Janet L Hardie

    Loved your demo of the fifty shades of gray. I too have used just straight grays and they seem to deaden
    my painting. Would you say that using grays and adding colors would get the same effect or maybe it’s the idea of the complementary colors that make them so colorful. Anyway I am definitely going to try the complementary color way. So beautiful. Thanks for the tip.

    Reply
    1. Gail Sibley Post author

      Thanks Janet! There are some beautiful grey sticks of pastels out there and there’s no harm in using them, even as a light scumble over a layer of complementary pastels. But I would say try the colours first and see what happens!

      Reply
  5. Catherine

    Great video Gail! Could you please tell us in which order you decide to layer the complements in order to achieve the greys? Curious about this particularly when using yellows or another lighter value with darker values. Also same question with similar values but differing hues.
    Thanks!

    Reply
    1. Gail Sibley Post author

      Great question Catherine! When I was doing the exercise for this, I randomly chose which colour went down first. Generally when I’m painting, if I want to grey down a colour, I’ll add the complement to it. If the second colour is lighter (or darker) and I want to retain the value of the first colour, I’ll go overtop with the original (first) colour to re-establish the value I want while still holding on to the greying aspect of the second colour. With colours of similar values, I may tend to apply the lighter and/or brighter colour first. But I don’t have a formula I follow. I suggest you try out both versions on a piece of paper to see the effect of each application. Remember, you can always reapply the first colour and then the second again until you achieve the greyness you desire!

      Reply
  6. ChrisD

    Rather a timely article for me, since I’m working on improving the greys I use for shadows in clouds (British skies, by the way). Mine tend to come out a bit too blue or purple at times. Often I see brownish-red coloured greys in the shadows; and at other times, a kind of soft pearly grey. Both are rather elusive to mix. Haven’t watched your video yet so the answers may be there! 🙂

    Reply
    1. Gail Sibley Post author

      Hey Chris, I think using complements or an opposite temperature may be the answer. I do hope you’ll return and let us know what happens when you try doing this. And yes, I know what you mean about those warm lovely browns and gorgeous greys that appear in clouds often in contrast to purplish ones in the same collection.

      Reply
  7. Leslie

    Great video. I was just about to order a set of Gireult (spelling??) greys from Dakota Art … I’ve heard they are great neutrals and very useful…??….but recently I’ve been taking some local acrylic and oil classes as well, learning about colour mixing. Presto you offer us a whole table of mixing possibilities done in classic pastel fashion! Thank you so much! Do you make colour charts for other layering possibilities and is that something you recommend especially for beginning pastelists? I’m guessing at this point in your career you choose your layering ideas based on instinct and experience? Would you still recommend the Gireult greys as being useful, however?? Thanks for sharing!!
    Can’t wait to get back at it!
    -Leslie from Langley

    Reply
    1. Gail Sibley Post author

      Thanks Leslie! And thanks for your questions. First yes, I definitely encourage anyone, and particularly beginners, to try out as many layering possibilities as they can. In this case it’s all about greys but it could also be about mixing greens, purples or oranges for instance.As to your question regarding Girault greys, I cannot really answer it as I don’t have experience with that set, with any set of greys in fact. Truth be told, I’ve always had a bit of an aversion to greys and it’s only as I mature as a painter that I now recognize the perfection and use of greys. If you’ve already ordered the set, let us know what you think. Otherwise, try out some grey-making and then add grey sticks as needed. There’s nothing like having some cool and warm greys in your collection!

      Reply
  8. Anita

    This is amazing, it inspired me to revisit a painting on the wall, i wish i could post pics here but might on FB later. It really brought the picture to life. thanks so much.

    Reply
  9. Sandi Graham

    Thanks Gail for the lesson on greys! I saved the chart you made so I can further explore these colors myself. The difference between these greys and a standard stick from a box is so much more interesting .
    To blend or not to blend for me will depend on the subject I’m painting those greys in.
    I’m thinking about my pastel questions and it would be fun to call with one.

    Reply
    1. Gail Sibley Post author

      Hi Sandi,
      Loved that you would save this chart. Do go ahead and create your own – it’s such a fun and yummy experiment!
      Look forward to a pastel question I can create an answer to 🙂

      Reply
  10. Tracey Maras

    You brightened a “gray” overcast, rainy day with a very fun and informative video. Another variation of your mixing technique is to layer 3 colors (2 warms + 1 cool) or (2 cools + 1 warm) for creating vibrant grays. But as you pointed out in your video, layer instead of blending for maintaining vibrancy. Thank you Gail!

    Reply
    1. Gail Sibley Post author

      How lovely to know I brightened your day Tracey even if it was with greys 🙂
      Thanks for the addition to how to create greys – I hadn’t heard that version before. I’ll be giving it a try!

      Reply
  11. NANCY MARONN

    I liked the explanation and visual examples. I love greys and have several sticks. It is a labor to find the right grey and unfortunately, there are not enough of them. I will be trying to use complimentary colors to achieve that beautiful outcome. Thank you.

    Reply
    1. Gail Sibley Post author

      That’s great to hear Nancy! I love bright vibrant colour but as time goes on, I have grown to love and appreciate greys. Hope you’ll share some of your grey work with us in the Facebook group 🙂

      Reply
  12. irene cohen

    Great video Gail! This is so timely because in my class tomorrow I was having my students use a black and white photo reference to create a colorful painting. I was going to discuss how to get various values without using black. Your color chart is the perfect demo!

    Reply
    1. Gail Sibley Post author

      Thanks Susan – glad you liked the video! Yes, colour charts can be super helpful. I find though that we all tend to make them while in workshops but don’t make the time to create them on our own at home. Glad to hear you make your own. Now you can add greys to the chart mix 🙂

      Reply

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