It’s my great pleasure to have Sandra Burshell as guest blogger. I’ve featured Burshell’s work twice in my monthly round-ups – the first time was a figure (click here to see it), and this past June, I included her interior, “What Could Have Been.”
I’ve always been intrigued by the way Sandra Burshell applies pastel, with her marks coalescing into a readable form, one filled with light and colour and atmosphere. You’re in for a treat as she shares many images, and also takes us through the progression of “Rest,” a painting that just received the President’s Award at the current Pastel Society of America’s annual exhibition.
In case you don’t know her work, here’s a taste:
I’m writing this sitting in Frankfurt airport as I travel home from my 7-day Croatia workshop. Teaching this workshop got me thinking a lot about negative space – both its power as a visual device and as a tool to aid in the creation of a painting. My demo and lesson on the last day touched on the use of negative space.
Here’s my demo:
You know that saying, dance like no one’s watching? Well I think you could also say, paint like no one’s watching!
I’m in Croatia to teach a 7-day workshop (very excited about that!). And it’s time to write a blog for you. I was going to pastel some landscape or townscape. A good plan until I suddenly realized that within an hour I was to hand over my pastels to Mario, the workshop organizer. (He’d bring them with him when he drove to Istria for the workshop. Cam and I were trying to relieve ourselves of a lot of luggage so as to travel light over next few days before the workshop.) But this meant I had to paint something in an hour!
A couple days ago I was on Salt Spring Island visiting my parents and one of the things I really wanted to do while there was to work en plein air. It’s been awhile since I’ve painted on location and as I’m preparing for my workshop in Croatia, this was on the to-do list. It was a perfect day for painting and although I went through the angst of I-can’t-remember-how-to-paint during the process, I was quite happy with the result. Of course the outcome wasn’t as important as the doing of it but still, it’s nice to have some success. This post reveals my thoughts on tweaking my plein air painting back in the studio as well as the progress of the painting on location.
We are well into August but still not too late for my roundup of ten uncommon pastel paintings selected from all the work collected over the month of July.
Each choice brings with it some thoughts as I examine and ponder the paintings. As always, you’ll find a range of styles and subjects. And remember, these are truly personal and subjective picks, paintings that move me or capture my attention in some way. I select many paintings through the month. In the days leading up to this post, I slowly whittle the choice down to ten. This time I got to about 16 picks and was stuck. A couple of pieces were by artists I had recently featured so I let go of those and then thirteen were left. After writing notes and seeing which I could really speak about, I determined the final ten uncommon pastel paintings.
The postman delivered a very special package yesterday – two brand new, hot-off-the-press copies of DK’s Artist’s Drawing Techniques. The pastel section of this book is filled with my pastel paintings as well as my words about the techniques and about my beliefs around working in pastels.
Before reading further, refresh your memory about this project by clicking here to read my blog about how it came about and the work I’d done for it in January.
I worked on this project for the first three months of this year – intense but rewarding days of painting, writing, editing, emailing. It was wonderful but I sure couldn’t keep up for that pace for many months! The project required completion by the end of March (hence the intensity) so there was no Mexico winter getaway for us this year 🙁
But when I opened this gorgeous book, I knew that all the work and the sacrifice of other projects and travel were worth it!
Every week in the HowToPastel Facebook group, we have a Friday Challenge. The challenge could be to paint a specific subject or create a painting in particular way. Last week, inspired by the interviews with Jen Evenhus and Tony Allain, the challenge was to create a 10-minute painting. Yup you heard me. A 10-minute painting. Since it was my challenge, I thought I better darn well take part!
Summertime…and the living is easy. And that means hanging out at the beach be it by the sea, lake, or river. There’s something about water especially warm, gently moving water that shifts our inner spirit. When I think about being at the seaside, in my mind up pop the wave paintings by Jeanne Rosier Smith.
I happened to pass Jeanne in the hallways of IAPS back in June and casually called out, “I’d love you to write a guest blog – are you up for it? And if so, can you manage to get it done for July?” Happily Jeanne said, “For Sure!” AND she came through even though she only had about a month to put it together!
Visiting my Mum and Dad last weekend, I was struck by the light and colour of summer flowers in a vase on the living room table. The thing that really got my attention though was the way the red coaster was visible beside the vase but disappeared behind it even though the vase was transparent. It then ‘appeared’ in two other places ‘on’ the vase. Well I wasn’t about to figure out why and how that happened but I did become interested in capturing the effect. This painting was so much about painting what you see, not what you know! So let me take you through the process.
Can someone please tell me how in the world we’re already halfway through the year?! I mean really! Okay so it’s July which means it’s time fooooorrrr (drum roll) June’s unique pastels! Here are the ten I’ve chosen from the many pastel paintings collected over the month of June. As always, I’ve tried to cover different genres and styles. And as always they are a very personal choice. I look forward to hearing your response!